Showing posts with label English. Show all posts
Showing posts with label English. Show all posts

Thursday, 3 April 2014

Lingustics


Name: ___________________________

Note: Type your answers. Any hand-written homework will not be gradated. Do not forget to staple your assignment (See the syllabus). Your answers should be short and to the point. However, all relevant information should be provided.

1. The following tables show the acoustic analysis results in Birdsong (2007). When the author measured the productions of French vowels and consonants, vowel length and the voice onset time (VOT) were longer in the late learners of L2-French (LL) group than in the native speakers of French (NF) controls. Provide two possible reasons why the VOT values for French stops were longer in the LL than in the NF (See Table 3).                            30 points (15 points for each reason)


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Your Answer:


2. Examine the following figure showing the percentage of /k/ responses as a function of VOT in Caramazza et al. (1973). The authors made the CV syllables continua varying only in VOT. They asked three groups of subjects (UE: Unilingual Canadian English speakers; UF: Unilingual French Canadian speakers; BF & BE: Canadian French-English bilinguals) to decide whether the VOT variants was voiceless stop (i.e., /k/) or voiced one (i.e., /g/). The results for /k-g/ continua are shown in the following figure.

:::Screen shot 2013-04-25 at 11.24.11 AM.png

a. The authors concluded that VOT is a stronger perceptual cue in Canadian English than in Canadian French. How do the results shown in the figure support their conclusion? Explain this, referencing the features (or performances) of two groups shown in the figure, rather than restating (or copying & pasting) what the paper states on this.  (15 points)

Your Answer:


b. The authors also concluded that the bilinguals are not like any monolinguals (neither UE nor UF) in their perception of VOT. How do the results in the figure support their conclusion? Explain this again, referencing the features (or performances) of three groups shown in the figure. (10 points)

Your Answer:

3. Munro (1993) asked a group of Arabic speakers and native English speakers to produce a set of English vowels in /bVd/ frame. One analysis he did was to examine whether two groups (i.e., Arabic learners of L2-English and native speakers of English) differed in the tense-lax duration ratios. Explain 1) what the author found from this analysis and 2) why he was interested in the tense-lax duration in the first place. To answer for 2), include his prediction on the tense-lax duration ratio results in your answer.

1)      Findings                                                                                                                 (10 points)

Your Answer:


2)      Motivation of this analysis                                                                                   (15 points)

Your Answer:

4. In the same study of Munro (1993), he also investigated whether any acoustic data could predict the accentedness of the Arabic learners’ English production. The following table shows their multiple regression analysis results. Considering the results in the following table, is it reasonable for us to discuss one or two acoustic predictor variable for someone’s entire L2 vowel system? Decide your position (i.e., Yes or No). Then, Justify your decision. (20 points)

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Your Answer:


  

The End

Tuesday, 1 April 2014

Topic: Unions vs. right to work

English 015: Rhetoric and Composition

Take, develop, and support a significant position on any arguable issue related in some way to business and society. Your essay should use at least three sources for support (at least one of which must come from our readings/viewings and at least one of which must be a scholarly source), and you should cite these sources using proper MLA format. 


Length: 4-5 full pages double spaced

Grading Criteria Emphasis:

Position / Point
Audience / Tone
Focus / Support
Critical Analysis
Grammar
Integration of Quoted Material
MLA Citation

The difficulties that international students face to learn English in the USA

*I want you to write about the subject ( the difficulties that international students face to learn English in the USA)

*Try to make an argumentative essay since they're some people go against my opinion and say that there's no difficulties of learning English since it is the most popular language in the world.

* Try to make the thesis statement of this paper focusing on the importance of English especially for those who want to take academic classes in the USA.


* Use the statistic link below to briefly talk about the huge number of the international students in the USA
(http://www.iie.org/Services/Project-Atlas/United-States/International-Students-In-US).

CLICK HERE to get this paper!!

Thursday, 6 February 2014

Shakespeare Sonnet 18

Essay #1
750-1000 words


1.       For those who enjoy pulling apart other texts:

Analyze one of the sonnets from the handout that has not been covered in lecture or tutorial. Your analysis must attend to the way the structure of the poem (metre/rhyme scheme/ alliteration/ assonance/ consonance/ punctuation etc) works in concert with the theme of the sonnet, or provides a tension with the theme of the sonnet. You may also choose to take up issues of figurative language and imagery, but the focus of your essay should be on the form of the sonnet.

You will need to hand in the following:
a)      Your essay (which should have a proper title)
b)      A copy of the sonnet plotted on the iambic grid with all deviations circled (5%)
c)       A Work Cited in MLA format



SHAKESPEARE SONNET 18 ----Essay to be written on this topic
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.


Notes

Scansion – meter (hear & feel of poem) (iamb/troche/anapest/dactyl/spodee)
***length of lines – extra syllables          repeated words                               Signified/signifier                            
shape of the words & sounds                   
Thesis – should make clear argument- NOT state the obvious
Use this formula – in text A author B uses X to achieve Y

Poetry Definitions: Traditional Constraints
Five kinds of metre:
Iamb/iambic                       u/          deCAY                   da DUM
Trochee/trochaic             /u           PURple                 DUM da
Anapest/anapestic          uu/         interRUPT           da da DUM
Dactyl/dactylic                   /uu         LAbouring           DUM dad a
Spondee/spondaic          //            CHILDBIRTH        DUM DUM
Monometer: one metrical foot                                  Hexameter: six metrical feet
Dimeter: two metrical feet                                          Heptameter: seven metrical feet
Trimeter: three metrical feet                                      Octameter: eight metrical feet
Tetrameter: four metrical feet                                   Nonameter: nine metrical feet
Pentameter: five metrical feet                                  Decameter: ten metrical feet
Content Words (if a single syllable then stressed): nouns, adjectives, verbs, adverbs
Function Words (if a single syllable then unstressed): prepositions, articles, demonstratives, conjunctions, pronouns, auxiliary verbs
Blank verse: unrhymed iambic metre
Strophic: organized into stanzas
Stichic: all one chunk (not divided into stanzas)
End stopped: a line of poetry which ends with punctuation e.g.
Enjambment: a line of poetry which does not end at the end of the line but ‘pushes’ itself into the next line
Caesura: a punctuated pause in a line of poetry not found at the end of the line e.g.
                This is not an end stopped
                Line; it is enjambed and
Full. Of. Pauses.
Consonance: the repetition of initial and ending consonants with different vowel sounds e.g. live/love; spilled/spoiled
Assonance: the repetition of identical vowel sounds that are surrounded by different consonants e.g. shame/fate; lean/beet
Alliteration: the repetition of the same initial consonant e.g. milk maid
Sonnets: Italian: octave (8 lines) and sestet (6 lines) with a volta (turn) indicating the shift from problem to resolution; rhyme scheme is ABBAABBACDECDE
Shakespearean: 3 quatrains (a quatrain is four lines) followed by a couplet (2 lines) with a volta (turn) indicating the shift from problem to resolution; rhyme scheme is ABAB CDCD EFEF GG